chapter 5

 five
Hannah knows nothing about that summer, of her mother’s long-ago
disappearance. For as long as she’s been alive, the family has never spoken of it,
and even if they had, it would have changed nothing. She is furious with her
sister for vanishing, bewildered that Lydia would leave them all behind;
knowing would only have made her more furious, more bewildered. How could
you, she would have thought, when you knew what it was like? As it is,
imagining her sister sinking into the lake, all she can think now is: How? And:
What was it like?
Tonight she will find out. Again it is two A.M. by her glow-in-the-dark clock;
all night she has lain patiently, watching the numbers tick by. Today, June 1,
should have been her last day of school; tomorrow Nath was supposed to walk
across the stage in his blue robe and mortarboard and collect his diploma. But
they’re not going to Nath’s commencement; neither of them has gone back to
school since— Her mind silences the thought.
She takes the squeaky sixth stair on her toes; she skips the middle rosette in
the front-hall carpet and the creaky floorboard beneath, landing cat-soft just at
the door. Although upstairs Marilyn and James and Nath all lie awake, searching
for sleep, no one hears: Hannah’s body knows all the secrets of silence. In the
dark, her fingers slide back the bolt, then grasp the safety chain and unfasten it
without rattling. This last is a new trick. Before the funeral, there was no chain.
She’s been practicing this for three weeks now, toying with the lock
whenever her mother wasn’t looking. Now Hannah oozes her body around the
door and steps barefoot onto the lawn, where Lydia must have been on her last
night alive. Overhead, the moon hovers behind tree branches, and the yard and
the walkway and the other houses slowly appear out of the grainy dark. This is
what her sister would have seen that night: glints of moonlight reflected in Mrs.
Allen’s windowpanes, the mailboxes all leaning slightly away. The faint
glimmer of the streetlamp on the corner, where the main road loops around the
lake.

lake.
At the edge of the lawn Hannah stops, toes on the sidewalk, heels still on the
grass, and pictures that thin figure marching into the shadows. She had not
looked afraid. So Hannah heads straight down the middle of the road too, where
the yellow line would be if their street were busy enough to need one. Through
the darkened windows, the pale linings of curtains glow. There are no lights
anywhere on their street, except for Mrs. Allen’s front-door light, which she
leaves on all the time, even during the day. When Hannah was younger, she had
thought adults stayed up late every night, until two or three perhaps. She adds
this to the list of things she’s learned are untrue.
At the corner she stops, but sees only darkness both ways, no cars. Her eyes
are used to the dark now, and she darts across the main road and onto the grassy
bank of the lake, but she still can’t see it. Only the slope of the ground tells her
that she’s getting close. She passes a clump of birches, all holding their stiff
arms above their heads as if in surrender. Then, suddenly, her toes find the
water. Below the low thrum of a high-up airplane she hears it: a faint lapping
against her ankles, soft as the sound of her own tongue in her mouth. If she looks
very hard, she can see a faint shimmer, like silver tulle. Except for that, she
would not have known that this was water.
“A beautiful location,” the realtor had told James and Marilyn when they had
first moved to Middlewood. Hannah has heard this story many times. “Five
minutes to the grocery store and the bank. And think of it, the lake practically at
your doorstep.” He had glanced at Marilyn’s rounded belly. “You and the kiddos
can swim all summer. Like having your own private beach.” James, charmed,
had agreed. All her life, Hannah has loved this lake. Now it is a new place.
The dock, smoothed by years of use, is the same silvery-gray by moonlight
that it is in the day. At the end one small lamp, set on a post, stretches its light
over a thin circle of the water. She will set out in the boat, as Lydia must have.
She will row to the middle of the lake, where her sister somehow ended up, and
peer down into the water. Maybe then she’ll understand.
But the boat is gone. The city, belatedly cautious, has taken it away.
Hannah sinks back onto her heels and imagines her sister kneeling to unknot
the rope, then pushing the boat away from the shore, so far out you couldn’t tell
the water from the darkness around it. At last she lies down on the dock, rocking
herself gently, looking up into the night sky. It is as close to her sister’s last night
as she can get.
If this were another summer, the lake would still be a lovely place. Nath and
Lydia would don swimsuits and spread towels across the grass. Lydia, gleaming
with baby oil, would stretch out in the sun. If Hannah were very lucky, she would be allowed to rub a squirt of oil on her own arms, to retie the strings of
Lydia’s bikini after she had tanned her back. Nath would cannonball off the
dock, spraying a fine mist that would bead up on their skin like pearls. On the
very best days—though those were very, very rare—their parents would come,
too. Their father would practice his breaststroke and his Australian crawl, and if
he was in a good mood, he’d take Hannah out over her head, steadying her as
she kicked. Their mother, shaded by a huge sun hat, would look up from her
New Yorker when Hannah returned to the towel and let her curl quietly against
her shoulder to peep at the cartoons. These things happened only at the lake.
They won’t go to the lake this summer at all; they will never go again. She
knows without having to ask. Her father has spent the past three weeks in his
office, although the university had offered to have someone else finish out the
term. Her mother has spent hours and hours in Lydia’s room, looking and
looking at everything but touching nothing. Nath roams the house like a caged
beast, opening cupboards and shutting them, picking up one book after another,
then tossing them down again. Hannah doesn’t say a word. These are the new
rules, which no one has outlined but which she already knows: Don’t talk about
Lydia. Don’t talk about the lake. Don’t ask questions.
She lies still for a long time, picturing her sister on the lake bed. Her face
would point straight up, like this, studying the underside of the water. Her arms
would stretch out, like this, as if she were embracing the whole world. She
would listen and listen, waiting for them to come and find her. We didn’t know,
Hannah thinks. We would have come.
It doesn’t help. She still doesn’t understand.
Back home, Hannah tiptoes into Lydia’s room and shuts the door. Then she
lifts the dust ruffle and pulls out the slim velvet box hidden beneath the bed.
Under the tent of Lydia’s blanket, she opens the box and pulls out a silver locket.
Their father had given it to Lydia for her birthday, but she had tucked it under
her bed, letting the velvet grow shaggy with dust.
The necklace is broken now but, anyway, Hannah has promised Lydia that
she will never put it on, and she does not break promises to people she loves.
Even if they aren’t alive anymore. Instead she rubs the fine chain between her
fingers like a rosary. The bed smells like her sister sleeping: a warm and musky
and sharp smell—like a wild animal—that emerged only when she was deep in
slumber. She can almost feel the imprint of her sister’s body in the mattress,
wrapping her like a hug. In the morning, when the sunlight comes through the
window, she remakes the bed and replaces the locket and returns to her room.
Without thinking, she knows she will do this again the next night, and the next,
and the next, smoothing the blanket when she wakes, stepping carefully over the scattered shoes and clothes as she makes her way to the door.
• • •
At breakfast time, Nath comes downstairs to find his parents arguing, and
he stops in the hallway just outside the kitchen. “Unlocked all night,” his
mother is saying, “and you don’t even care.”
“It wasn’t unlocked. The bolt was on.” By the sharp little edges in his
father’s voice, he can tell this conversation has been going on for some time.
“Someone could have gotten in. I put that chain on for a reason.” Nath
tiptoes into the doorway, but his parents—Marilyn bent over the sink, James
hunched in his chair—don’t look up. On the far side of the table, Hannah
squirms over her toast and milk. I’m sorry, she thinks, as hard as she can. I
forgot the chain. I’m sorry I’m sorry. Her parents don’t notice. In fact, they act
as if she isn’t even there.
Silence for a long moment. Then James says, “You really think a chain on
the door would have changed anything?”
Marilyn clunks her teacup hard against the counter. “She would never have
gone out on her own. I know she wouldn’t. Sneaking out in the middle of the
night? My Lydia? Never.” She wrings the china with both hands. “Someone took
her out there. Some nutcase.”
James sighs, a deep trembling sigh, as if he’s struggling to lift a very heavy
weight. For the past three weeks Marilyn has been saying things like this. The
morning after the funeral he woke up just after sunrise and everything came
rushing back to him—the glossy casket, Louisa’s skin slick against his, the soft
little moan she had made as he climbed atop her—and he suddenly felt grimy, as
if he were caked with mud. He turned the shower on hot, so hot he couldn’t
stand still beneath it and had to keep turning, like something on a spit, offering
the steaming spray a new patch of flesh again and again. It hadn’t helped. And
when he came out of the bathroom, a faint scratching noise led him to the bottom
of the stairs, where Marilyn was installing the chain on the front door.
He had wanted to say what had been growing in his mind for days: what had
happened to Lydia was nothing they could lock out or scare away. Then the look
on Marilyn’s face stopped him: sad, and frightened, but angry too, as if he were
to blame for something. For a moment she seemed like a different woman, a
stranger. He had swallowed hard and touched his collar, buttoning it over his
throat. “Well,” he said, “I’m going in to school. My summer class.” When he
leaned in to kiss her, she flinched away as if his touch burned. On the front
porch, the paperboy had deposited a newspaper. Local Family Lays Daughter to Rest.
He still has it locked in the bottom drawer of his desk. As one of only two
Orientals at Middlewood High—the other being her brother, Nathan—Lee stood
out in the halls. However, few seemed to have known her well. Every day since
then, there have been more articles: any death is a sensation in a small town, but
the death of a young girl is a journalistic gold mine. Police Still Searching for
Clues in Girl’s Death. Suicide Likely Possibility, Investigators Say. Each time he
sees one, he folds the newsprint over itself, as if wrapping up something rotten,
before Marilyn or the children spot it. Only in the safety of his office does he
unroll the paper to read it carefully. Then he adds it to the growing stack in the
locked drawer.
Now he bows his head. “I don’t think that’s what happened.”
Marilyn bristles. “What are you suggesting?”
Before James can answer, the doorbell rings. It is the police, and as the two
officers step into the kitchen, Nath and Hannah simultaneously let out their
breaths. At last their parents will stop arguing.
“We just wanted to give you folks an update,” says the older one—Officer
Fiske, Nath remembers. He pulls a notebook from his pocket and nudges his
glasses up with a stubby finger. “Everyone at the station is truly sorry for your
loss. We just want to find out what happened.”
“Of course, officer,” James murmurs.
“We’ve spoken to the people you listed.” Officer Fiske consults his
notebook. “Karen Adler, Pam Saunders, Shelley Brierley—they all said they
barely knew her.”
Hannah watches redness spread across her father’s face, like a rash.
“We’ve talked to a number of Lydia’s classmates and teachers as well. From
what we can tell, she didn’t have many friends.” Officer Fiske looks up. “Would
you say Lydia was a lonely girl?”
“Lonely?” James glances at his wife, then—for the first time that morning—
at his son. As one of only two Orientals at Middlewood High—the other being
her brother, Nathan—Lee stood out in the halls. He knows that feeling: all those
faces, fish-pale and silent and staring. He had tried to tell himself that Lydia was
different, that all those friends made her just one of the crowd. “Lonely,” he says
again, slowly. “She did spend a lot of time alone.”
“She was so busy,” Marilyn interrupts. “She worked very hard in her classes.
A lot of homework to do. A lot of studying.” She looks earnestly from one
policeman to the other, as if afraid they won’t believe her. “She was very smart.”
“Did she seem sad at all, these past few weeks?” the younger officer asks.
“Did she ever give any sign she might want to hurt herself? Or Marilyn doesn’t even wait for him to finish. “Lydia was very happy. She
loved school. She could have done anything. She’d never go out in that boat by
herself.” Her hands start to shake, and she clutches the teacup again, trying to
keep them steady—so tightly Hannah thinks she might squeeze it to pieces.
“Why aren’t you looking for whoever took her out there?”
“There’s no evidence of anyone else in the boat with her,” says Officer
Fiske. “Or on the dock.”
“How can you tell?” Marilyn insists. “My Lydia would never have gone out
in a boat alone.” Tea sloshes onto the counter. “You just never know, these days,
who’s waiting around the corner for you.”
“Marilyn,” James says.
“Read the paper. There are psychos everywhere these days, kidnapping
people, shooting them. Raping them. What does it take for the police to start
tracking them down?”
“Marilyn,” James says again, louder this time.
“We’re looking into all possibilities,” Officer Fiske says gently.
“We know you are,” says James. “You’re doing all you can. Thank you.” He
glances at Marilyn. “We can’t ask for more than that.” Marilyn opens her mouth
again, then closes it without a word.
The policemen glance at each other. Then the younger one says, “We’d like
to ask Nathan a few more questions, if that’s okay. Alone.”
Five faces swivel toward Nath, and his cheeks go hot. “Me?”
“Just a couple of follow-ups,” says Officer Fiske. He puts his hand on Nath’s
shoulder. “Maybe we can just step out onto the front porch.”
When Officer Fiske has shut the front door behind them, Nath props himself
against the railing. Under his palms, a few shreds of paint work loose and flutter
to the porch floor. He has been wrestling with the idea of calling the police
himself, of telling them about Jack and how he must be responsible. In another
town, or another time, they might have shared Nath’s suspicions already. Or if
Lydia herself had been different: a Shelley Brierley, a Pam Saunders, a Karen
Adler, a normal teenage girl, a girl they understood. The police might have
looked at Jack more closely, pieced together a history of small complaints:
teachers protesting graffitied desks and insolent remarks, other brothers taking
umbrage at his liberties with their sisters. They might have listened to Nath’s
complaints—after school all spring every day—and come to similar conclusions.
A girl and a boy, so much time together, alone—it would not be so hard to
understand, after all, why Nath eyed Jack so closely and bitterly. They, like
Nath, might have found suspicious signs in everything Jack has ever said or

done.
But they won’t. It complicates the story, and the story—as it emerges from
the teachers and the kids at school—is so obvious. Lydia’s quietness, her lack of
friends. Her recent sinking grades. And, in truth, the strangeness of her family.
A family with no friends, a family of misfits. All this shines so brightly that, in
the eyes of the police, Jack falls into shadow. A girl like that and a boy like him,
who can have—does have—any girl he wants? It is impossible for them to
imagine what Nath knows to be true, let alone what he himself imagines. To his
men, Officer Fiske often says, “When you hear hoofbeats, think horses, not
zebras.” Nath, they would have said, is only hysterical. Hearing zebras
everywhere. Now, face-to-face with the police, Nath can see that there is no
point in mentioning Jack at all: they have already decided who is to blame.
Officer Fiske settles himself against the railing too. “We just wanted to chat
a little, Nathan, in private. Maybe you’ll think of something you forgot.
Sometimes brothers and sisters know things about each other their parents don’t,
you know?”
Nath tries to agree, but nothing comes out. He nods. Today, he suddenly
remembers, should have been his graduation.
“Was Lydia in the habit of sneaking out alone?” Officer Fiske asks. “There’s
no need to worry. You’re not in trouble. Just tell us what you know.” He keeps
saying just, as if it’s a tiny favor he wants, a little offhand thing. Talk to us. Tell
us her secrets. Tell us everything. Nath starts to tremble. He’s positive the
policemen can see him shaking.
“Had she ever snuck out by herself before, at night?” the younger policeman
asks. Nath swallows, tries to hold himself still.
“No,” he croaks. “No, never.”
The policemen glance at each other. Then the younger one perches on the
railing beside Nath, like a kid leaning against a locker before school, as if they’re
friends. This is his role, Nath realizes. To act like the buddy, to coax him to talk.
His shoes are polished so bright they reflect the sun, a blurry smudge of light at
each big toe.
“Did Lydia usually get along with your parents?” The policeman shifts his
weight, and the railing creaks.
Maybe you should join some clubs, too, honey, meet some new people.
Would you like to take a summer class? That could be fun.
“Our parents?” Nath says. He hardly recognizes the voice that comes out as
his. “Sure she did.”
“Did you ever see either of them hit her?

Hit her?” Lydia, so fussed over, so carefully tended, like a prize flower. The
one perpetually on their mother’s mind, even when she was reading, dog-earing
pages of articles Lydia might like. The one their father kissed first, every night,
when he came home. “My parents would never hit Lydia. They loved her.”
“Did she ever talk about hurting herself?”
The porch railing starts to blur. All he can do is shake his head, hard. No.
No. No.
“Did she seem upset the night before she disappeared?”
Nath tries to think. He had wanted to tell her about college, the lush green
leaves against the deep red brick, how much fun it was going to be. How for the
first time in his life he’d stood up straight, how from that new angle the world
had looked bigger, wider, brighter. Except she had been silent all dinner, and
afterward she’d gone right up to her room. He had thought she was tired. He had
thought: I’ll tell her tomorrow.
And suddenly, to his horror, he begins to cry: wet, messy tears that dribble
down his nose and into the collar of his shirt.
Both policemen turn away then, and Officer Fiske closes his notebook and
fishes in his pocket for a handkerchief. “Keep it,” he says, holding it out to Nath,
and he squeezes him on the shoulder once, hard, and then they’re gone